Cave Bird Records Minnesota
musical journeys exploring somber, introspective realms.
part of the Great Lakes Dungeon Synth
collective.
sometimes improvised.
sometimes composed.
always anti-fascist.
... more
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The Hours Of My Wake
by Obseqvies
supported by 6 fans who also own “Creeping Fear”
Predominantly really slow funeral doom with varied vocals. The grunts are quite loud (think Russian дрём), bass is a bit too quiet. I enjoyed all songs. It's truely a harrowing experience and a showcase of what funeral doom can be if done right. Exemplary use of synths to create atmosphere.
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SEER-SERPENT-SORROW
by Opium Doom Cult
supported by 5 fans who also own “Creeping Fear”
This is the kind of long meandering ballad-like doom that carries you in dimensions you don't want to leave. It is a comfy experience, yet crossed by glares of darkness; but those are never intimidating, they work more as a counterbalancing shade that adds complexity to the living flesh of this wonderful album.
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The sound artist’s new album is filled with otherworldly tracks.
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Post-rock musician and World Within Worlds label head Lachlan R. Dale returns with his debut full-length, a suite of ambient explorations.
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The Cloud Machine
by Andrew Heath
Inspired by the simple innocence of his own childhood, Andrew Heath composes soothing drones, rich in texture.
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supported by 5 fans who also own “Creeping Fear”
It's very atmospheric, with a lot of feeling, and that old school vibe, like one of my favorite albums "Always" from "The Gathering".
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